Ninkyo Dantai

by Rafał Kołacki

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    'Ninkyo Dantai' is the first full solo album by Rafał Kołacki. It was created mainly on the basis of field recordings. Quite specific noises made by various kinds of electrical appliances (transformers, fans, etc.) were used sound sources. Created in a continuous, monotonous, quiet at times, they were then fed into the computer and processed. They also served the purpose of creating additional sounds (samples, midi). At the end of this post-production process, they were all mixed electronically.

    The album is filled with repetitive compositions of a cohesive structure and minimal character, thus referring to the sound of machine at work. In this respect, Kołacki announces his own ideological manifesto whose main idea is the thesis that technology is assuming control over contemporary civilisation and culture including music, the consequences of which are numerous natural and industrial disasters (especially the nuclear ones.) Trivial, but true.

    The album is co-released by 3 labels (Huta Artzine, Noisen and Zoharum). The first 93 of 300 copies are a special limited edition designed by Ewa and Jacek Doroszenko, in a very peculiar manner which can be linked to the overall concept of the album.

    Includes unlimited streaming of Ninkyo Dantai via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
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    edition of 300  30 remaining
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    Includes unlimited streaming via the free Bandcamp app, plus high-quality downloads of Total Division, Split, Dalet, Korozje, Hyperacusis, Oniro (extended edition), [ . ] DOT, Deception Island (full length album), and 222 more. , and , .

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about

'Ninkyo Dantai' is the first full solo album by Rafał Kołacki. It was created mainly on the basis of field recordings. Quite specific noises made by various kinds of electrical appliances (transformers, fans, etc.) were used sound sources. Created in a continuous, monotonous, quiet at times, they were then fed into the computer and processed. They also served the purpose of creating additional sounds (samples, midi). At the end of this post-production process, they were all mixed electronically.

The album is filled with repetitive compositions of a cohesive structure and minimal character, thus referring to the sound of machine at work. In this respect, Kołacki announces his own ideological manifesto whose main idea is the thesis that technology is assuming control over contemporary civilisation and culture including music, the consequences of which are numerous natural and industrial disasters (especially the nuclear ones.) Trivial, but true.

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released February 20, 2014

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Zoharum Poland

As part of our activities, Zoharum releases albums of different bands and projects from the electronic scene: ambient, minimal, industrial, dub/illbient, experimental and more...

Zoharum was also a co-publisher of Hard Art magazine.
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